A blast of energy with an explosive concert by Red Priest of their new programme ‘Truly, Madly Baroque’ opening the SRP National Festival at Ushaw College.
An enchanting programme of Schubert, Shostakovich and Ravel.
EXAUDI examine the expressive heights of Italian madrigal writing, both old and (very) new.
Guest review by Hugh Morris: “Breaking in the New Year with Bach”: the Durham Singers and Samling Institute soloists perform Bach’s Christmas Oratorio:
A beautifully sung and well-chosen programme of 20th century and contemporary music for Advent and Christmas from DUCC.
Even as a fully paid-up Handel opera fan, I’ll admit that Radamisto wasn’t one of his better efforts. The music is perfectly pleasant but apart from one or two good arias, it’s a little bit Handel-by-numbers. It’s not one for listening to on it’s own, but cut down to a couple of hours, and staged in another of English Touring Opera’s simple and beautiful productions, it made a very enjoyable evening.
A highly enjoyable concert by Prince Bishop’s Brass at Ushaw College, with music ranging from the Renaissance through to the twentieth century.
A rare opportunity to hear Handel’s 1720 ‘Esther’ in an extremely enjoyable performance given by Opera dei Lumi at Ushaw College.
St James Baroque join with Durham Cathedral Choir and Daniel Cooke to celebrate Bach’s joyful trumpet music as part of Durham BRASS festival.
A moving performance of Britten’s “Canticle II: Abraham and Isaac” by Philippe Durrant, Lewis Cullen and Francesca Massey, preceded by gently radiant English songs from Purcell and Handel to Britten and Howells.