It’s been a couple of weeks now since I sang Monteverdi Vespers, and the concert of a lifetime was followed by a rather spectacular holiday too, so this final blog post in my Vespers diary comes after a bit of time to reflect. Thank you everyone who has put up with this year’s Monteverdi obsession: here are the final words on the subject.
A selection of this autumn’s concerts, including five glorious days of early music from The Sixteen, I Fagiolini and English Touring Opera.
Things suddenly got very real and serious a couple of weeks ago when we had a workshop with Robert Hollingworth to introduce us to the Vespers.
There is no way that I was going to be able to sing in a performance of Monteverdi’s Vespers without blogging intensively about it… so here in the first installation of my rehearsal diary, I write about the early preparations, the poster design and the day we finally got to open the score for the first time.