DurhamKLANG17: E7B Soundlab – Strong Currents
The first concert of DurhamKLANG17 contemporary music festival showcased some wonderfully colourful and contrasting works by Eric Egan and his postgraduate composition students.
7 Jun 2017
for homepage highlighting
The first concert of DurhamKLANG17 contemporary music festival showcased some wonderfully colourful and contrasting works by Eric Egan and his postgraduate composition students.
Daniel Cook takes up the post of Organist and Master of the Choristers at Durham Cathedral in the Autumn. The cathedral’s central role in in our musical world and in our wider community means that this is undoubtedly one of the most important musical jobs in the North East. In this interview for Music in Durham, Daniel talks about coming home to his dream job, the important and inspiring task of training young choristers and the musicians that inspire him.
Madrigals, folksongs and modern sacred music, stylishly sung by St Andrew’s Madrigal Group, visiting Ushaw College chapel on their UK tour.
Things suddenly got very real and serious a couple of weeks ago when we had a workshop with Robert Hollingworth to introduce us to the Vespers.
Royal Northern Sinfonia with Nicholas McGegan and six Samling Artist soloists bring a Handel oratorio to Durham Cathedral in Holy Week. But it’s not Messiah. I’ve been finding out more about the technicolor glories of Handel’s “Israel in Egypt” .
From a solo oboe to the blaze of the full symphony orchestra, Durham University Orchestral Society trod a carefully plotted path in their Epiphany term concert, in which each piece on the programme added to what had gone before, from the Chamber Orchestra’s delicate colouring of Ravel’s Le Tombeau de Couperin to a punchy performance of Rachmaninov’s Symphonic Dances.
There is no way that I was going to be able to sing in a performance of Monteverdi’s Vespers without blogging intensively about it… so here in the first installation of my rehearsal diary, I write about the early preparations, the poster design and the day we finally got to open the score for the first time.
The Ives Ensemble and Forum Neue Vokalmusik go from the quantum to the cosmological in the second concert of MUSICON’s “either end of the SCALE” series. The strange beauty of Stockhausen’s “Stimmung” left me entranced, and gave me an excuse to reference Tolkien in a review.
I was delighted to see Durham Opera Ensemble choosing Britten for this year’s Gala show. A Midsummer Night’s dream was a big challenge but the final result was a very enjoyable performance, with some excellent singing.
Music in Durham brings you classical music listings, previews, reviews and news for Durham, with a bit of random blogging thrown in. The concert listing pages bring together classical music events from across the City and the University, so whether you’re looking for a great concert to go to, or if you’re planning something and want to avoid clashes, this is the place to look.
